Nothing better than a gray, overcast day to put me in the mood to paint a still life.
I don’t know why. Maybe it’s because it seems still lifes are almost always indoors. They’re not, of course, but it seems many motifs are food on a kitchen/dining counter or simply a tabletop with vase and flowers.
Maybe it’s the lighting on a dreary day that matches the quiet, somber mood of many still lifes.
The gauzy, shadowy lighting, which envelops rather than glares, may also be a reason.
Being chilly and damp helps a lot, too. The growing-shorter days and limited hours of light-to-paint-by add a more dramatic mood setting.
Makes me want to pull out a bowl along with some eggs (or grapes or fish or fowl) and whatever else, all on a countertop to paint a scene.
Either that or a porcelain vase filled with a flower in season, blue, of course, set against a tapestry wall-hanging.
Now that’s the stuff of still-life painting on a late-autumn or winter day.