Friday, February 16

Paint What Makes You Happy

Green Valley
Acrylic on Arches Watercolor Paper
16 x 6 in/40.6 x 15.2 cm
Copyright Byrne Smith 2018
Life is too short to spend time procrastinating or to waste time on things that don't bring you joy, according to Marie Kondo, author of The Japanese Art of Decluttering and Organizing.

I agree.

That's why I spent time the last few weeks going through my old paintings and throwing some of them away Yes, you can do that! I was able to re-evaluate them more objectively as time has passed since I completed them. If I don't want them, no one else will either.

I also spent some of my painting time painting a motif that brings me joy--panoramic landscapes in acrylic on watercolor paper. I haven't done one since last summer.

It was past time to get happy.


Wednesday, February 7

Time to Paint Something Different

Small Vase with Flowers
5 x 7 in/12.7 x 17.8 cm
Oil on Canvas Panel
Copyright Byrne Smith 2018
I rarely, as in hardly ever, paint flowers, although I did paint a sunflower just last month. Before that, I couldn't tell you when I last painted a flower. It's not that I dislike florals, I just don't have a relationship with them.

However, the other day as I was looking through some pins that Pinterest thinks "you may like," I saw several boards that contained nothing but floral paintings--all kinds of flowers. I discovered I was drawn to many of the small still life-like paintings.

They were mostly smaller than 8 x 10 in/20.3 x 25.4 cm and mostly oil, acrylic, or pastel. Many were rendered in a rather impressionistic way, which I like. I got interested in the ways these painters, who seem to paint only flowers, portrayed the lighting and backgrounds, and the brushwork on the petals, leaves, and containers, if any.

One of the few flower paintings I have done is today's image. However, I now have an interest in further studying the methods of these painters and will see where it takes me.   

Tuesday, January 30

Impressionist Portraits Series 7

Edouard Manet (from Public Domain photo)
Oil on Canvas Panel
5 x 7 in/12.7 x 17.8 cm
Copyright Byrne Smith 2018
Well, it has been a while since I last submitted one of my impressionist portraits to The Painting Life. However, there are several others I still wanted to paint, including today's Edouard Manet.

This marks the 7th in my impressionists series, the others being Claude Monet, Berthe Morisot, Gustave Caillebotte, Edgar Degas, Frederic Bazille, and Mary Cassatt.

I hope you enjoy viewing Edouard Manet and the others as much as I enjoyed painting each one.


Tuesday, January 23

In a World...

Oil on Canvas Panel
12 x 12 in/30.5 x 30.5 cm
Copyright Byrne Smith 2018
Painters assimilate, encompass, and combine.

Painters evaluate and envision.

Painters experiment, volumize, sculpt, and express; oftentimes, something out of nothing.

In other words, painters create worlds, and in those worlds lives their vision, if only for a moment in time.

Monday, January 15

Painting Summer in the Middle of Winter

Oil on Paper
12 x 16 in/30.5 x 40.6 cm
Copyright Byrne Smith 2018
During this long and, surprisingly, cold winter even here in the semi-tropics, I find that painting summer scenes helps. Or at least it helps me get through January.

I hope this warms you up, in the northern hemisphere anyway. I did this one in oil on gessoed Arches 140 lb/300gsm watercolor paper. It makes a very nice, if somewhat unorthodox, painting surface for oil anyway. The gesso keeps the oil paint on the surface, but it's that great texture of the Arches paper I really like. I may do one using acrylic next.

Oh, and Happy New Year, too.

Monday, December 18

Season's Greetings 2017

Three Christmas Candles
Oil on Canvas Panel
5 x 7 in/12.7 x 17.8 cm
Copyright Byrne Smith 2017
As 2017 draws to a close, I'm happy to report that I am finally back again to my painting--pigments, palette, paper, and canvas! This after a devastating hurricane and subsequent record-breaking flood inundated our region at the end of August.

Heartbreaking and deadly, the storm upended lives and families. My home did not flood this year, but two members of my family lost their homes and many possessions. Fortunately, no one was hurt, at least not physically, but since then it has taken all my time and energy to help out. After 3 1/2 months life is just beginning to return to a new normal, but it will take years to completely recover.

I now have some time and, more importantly, the ability to concentrate on painting and creativity. And it came just in time for the holidays. It's difficult to explain just how important that is to a painter's well-being

The image above in today's blog is my first painting since the storm. I hope you enjoy it, and we painters can all look forward to our great and beautiful paintings to come in the new year.

Monday, August 21

Try Painting with Abstraction

Out of the Blue
Acrylic on Canvas Panel
12 x 12 in/30.5 x 30.5 cm
Copyright Byrne Smith 2017
Note, I didn't say abstract painting but painting with abstraction. There is a difference, and that is that an abstract painting can be just about whatever the painter says it is--a purple banana, an eyeball on an elbow, mere blobs/drips, no problem.

Painting with abstraction is the art of painting with less realism, sometimes much, much less. It's what many call painting "looser" or maybe more impressionistically. Whatever you call it, it's what I have been attempting to do lately.

Why? Because I like it, for one. I have recently been admiring some of the more abstract paintings that have been pinned on Pinterest. I also think it makes a painting that much more engaging for the viewer. You don't have to put in every little brushstroke so there's no question you're painting leaves on a tree.

Try giving it a little mystery and let the viewers imagine what they will--whatever that is. Try painting with abstraction.

I hope you enjoy my work.

Monday, August 14

Painting a 'Little Gem'

Night Line
Acrylic on Canvas Panel
5 x 7 in/12.7 x 17.7 cm
Copyright Byrne Smith 2017
It's been a couple of years since I painted and/or blogged about little gems, not since 2015 to be exact.

If you don't know what a little gem is, it's what I refer to as any small painting--small being 36 square inches (about 232 square centimeters) or less.

I'll tell you why I like little gems. They make you:

- immediately decide the most important things about your painting (composition, viewpoint, focal point)

- paint small, almost miniature, which means you naturally leave out all but the most necessary details

- control your painting world in a very confined space

- paint rather quickly because you can fill up the space with a few brushstrokes

Today's image is only 5 x 7 in (12.7 x 17.7 cm) and was completed in way less than one hour.

I hope you enjoy my work.

Monday, August 7

Another Acrylic on Paper

Night Sky
Acrylic on Arches Paper
9 x 12 in/23 x 30 cm
Copyright Byrne Smith 2017
If you keep up with this blog at all, then you know I've recently had a penchant for painting acrylic on watercolor paper, Arches paper to be specific.

I really enjoyed working on this one. The challenge was to paint the clear night sky with few brushmarks  so that it appeared as real as possible--that and the dying sun rays, too.

I hope you enjoy my work.

Friday, July 28

Painting an Acrylic Landscape

Greens and Blues
Acrylic on Canvas Panel
24 x 18 in/60 x 45 cm
Copyright Byrne Smith 2017
As I have said before, I enjoy painting landscapes, and this one was no exception.

Taken from a reference photo, I didn't have to do too much cropping to find a pleasing composition: high horizon line with a river for a lead-in.

I used pencil to free-hand the main components.
Next, I considered the palette colors: ultramarine blue, pthalo green, titanium white, violet light blue, yellow ochre, cad yellow light, permanent green light, terra verte, viridian, alizarin crimson.

I painted the sky first. I painted the mountains second. Then I painted the river (first pass). Next I painted the various values of greens of the fields, flatlands and foothills. Then I painted in the trees and other foliage. I did a second pass on the river to show the still as well as moving water and the reflections of the trees.

I let it sit for a day and then gave it a final pass to make refinement; that is, adjust lost-and-found edges, strengthen highlights, and another pass on the sky.

I hope you enjoy my work.