|Part of the Exhibition was|
L'Absinthe by Edgar Degas--
its original title was Dans un Café
So lucky last week to have visited the largest Edgar Degas exhibit in 30 years and the only showing of Degas: A New Vision in the U.S.
So lucky to have the Museum of Fine Arts Houston relatively nearby--only a few freeways away--with its generous funding and a grant from the Texas Commission on the Arts.
What a surprising and excellent exhibit of Edgar Degas' works of a lifetime. Although most of us probably only think of Degas primarily as a painter in pastel (and a few oils) of ballerinas as they rehearse and perform their ballets, his body of work encompassed much more than that.
The exhibit presented his work chronologically; that is, from his beginning historical painting in the 1850s-60s to landscapes, racehorses, brothel scenes and New Orleans in the 1870s to his ballets and theaters in the 1870s-80s to his working women in the 1880s to his final years painting jockeys and more landscapes.
What was surprising, to me anyway, was that he also produced his one and only famous sculpture, The Little Fourteen-Year-Dancer, which was prominently on display. Also surprising at the end of his career was his artistic work in the new medium of photography, which showed many of his cropping techniques from his ballet dancer paintings.
So lucky to have seen the beautiful exhibit before its close on January 16. Hope someday you will be so lucky and see his work up close, too.